ly fabricated interventions and interactive electronic performance art installations in Barra Funda. Along with other experts, these tutors will teach how to use and apply new design technologies, notably Rhino and Grasshopper (and numerous plug-ins including GECO, Galapagos, Kangaroo and RhinoCam); Arduino and Processing; and the use of laser-cutters, rapid- prototype machines and CNC routers and mills.
Alan Dempsey of NEX, was in 2010, selected by the Centre for European Architecture/Chicago Athenaeum as one of the 40 most significant architects in the EU under 40. In 2008 he was selected by the British Council as one of the six most significant Design Entrepreneurs. He previously worked with Future Systems, OCEAN and Homa Farjadi. Alan was an AA Unit Tutor and is Director of the AA Independent’s Group (www.independentsgroup.net), which facilitates research into the use of computational design and fabrication. Alan has lectured, exhibited and been published worldwide. His work has received a number of awards, including a LEAF award for Spencer Dock Bridge, and a D&AD pencil for the [C]space DRL 10 Pavilion.
Robert Stuart Smith of Kokkugiais a Studio Course Master at the AA DRL. Robert previously worked for Lab Architecture Studio and Nicholas Grimshaw & Partners. He focuses on self-organisational systems and developmental growth, pursuing polyvalent and environmentally responsive affect. He leads consultation to Cecil Balmond on non-linear algorithmic design research. Kokkugia has projects in the USA, UK and Mexico, and is exhibited and published internationally.
Iván Ivanoff is an artist, programmer, and researcher. He searches for new forms of communication for the society of the future and is the director of different Media Labs worldwide. He founded the artistic collaborative i2off.org+r3nder.net, which develops multi-media and interactive projects, and Estado Lateral Media Lab to investigate and develop new technologies.
The Barra Funda district of São Paulo was once characterised by a mix of small industrial, commercial and residential programmes, but, as economic policies have favoured larger production industries, numerous companies have abandoned the area. In response, the workshop proposes the creation of new types of smaller industries to produce a mix of both consumption and production, manifested through micro-manufacturing interventions that can co-exist alongside retail and housing. Computational design and digital fabrication could be used to help create these new micro-industries, which in turn will help empower local craftsman to produce and sell directly to consumers through micro-manufacturing, located in small urban workshops.
The workshop will tap into emergent gallery scene of Barra Funda and local initiatives that use computational technology to introduce a new cultural and economic impetus. The workshop is a part of the International Festival of Electronic Language (FILE), an exhibition of interactive electronic technology, and will import these electronic technologies out of the galler, collaborating with local manufacturers, artists, and activists, with a goal of disseminating a high-tech yet low-cost and small-scale fabrication systems to promote this new micro-industrial movement. The workshop is open to architecture and design students and professionals worldwide.…
derstanding of the graphical algorithm editor, and then dive into more complex parametric models. We’ll also learn tricks to keep our project responsive and enjoyable to use.Course outline
covering similar content as the first part of the primer(http://www.grasshopper3d.com/page/tutorials-1)
novel material
duration: 3 days (24 hours)
Including
An understanding of the Grasshopper interface and the visual programming theory
Base parameters, large numbers of points and vectors, and small geometrical instances
Data flow
Troubleshooting definition problems and solutions
Know the main component types
Be able to join, and manage connections and trees
Expressions for both calculation and boolean creation
Understand Data Matching and casting
Managing long lists of objects within Grasshopper
Have an understanding of the functioning of Grasshopper components
Experience creating definitions
Parametric geometry examples, like attractors and list culling
Re-utilizable modeling examples: colored panelization, surface population, gradient and picture sampling and manipulation, catenary line and weaving
Spline animation examples
Getting ready to prepare own definitions in groups
More information...
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" (idiomatic) and easy way of doing things.So here come some basic questions:
Is there a way to create custom components by grouping an existing sub-network together? I'm looking for a way to re-use parts of a program (something similar to subroutines), and to make the network look less cluttered. I found that it is possible to group components (ctrl-g), but this still displays them as separate blocks (too much clutter), and provides no way to re-use a sub-network in such a way that if it is modified in one place, all it's instances (all the places where it is re-used) also get modified.
Is there a component that does nothing, just passes a signal through? Suppose I need to connect block A to blocks B1, B2, B3 (all three get the same input). Then I change my mind, and I decide to connect block C to these three, not A. In this case it will be necessary to change three connections, not just one. I'm looking for an easy way to do this by a single rewiring, not three. (This came up in a practical situation).
Finally, a related question: is there a component that acts as a switch, so I can choose which signal it passes through out of a possible set of choices? For example, suppose that a set of objects can be coloured based on a number of different properties (size, positions, rotation, etc.) I'm looking for a way to switch between these very easily, without the need to do much rewiring.
Thank you in advance for any replies / useful comments, even general ones on how to easily structure a large Grasshopper program/network.…
patial re-adaptation as a driver for social change. Time-based dynamic systems will transform the digital–analogue divide through networks of instantaneous spatial deployment creating a symbiotic spatial context that examines new-era demands.
Philips will cover 60% of the inscription fee for the best 6 applicants. Submit your CV and portfolio to madrid@aaschool.ac.uk.…
component is checking ad, as, ar and aa values. This is just to make sure that the results are accurate enough.Good to go!Current working directory is set to: c:\ladybug\unnamed\DF\Runtime error (FileNotFoundException): Le fichier 'c:\ladybug\unnamed\DF\error.log' est introuvable.Traceback: line 327, in script
I never had this problem before... and I don't see the link between your python component and this error.
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Simpsons episode were Bart goes into a mall and in the time he goes in and out of a shop all others have been turned into Starbucks.
I personally don't like it but you can't say they are crushing all competitors because, as far as i know, all owners of those software packages voluntarily sold their property for a good price. I would actually be more worried that an antitrust lawsuit was filed against Autodesk.
For example, this is what happened with Rockefeller's Standard Oil:
The antitrust case against Standard Oil also seems absurd because its share of the petroleum products market had actually dropped significantly over the years. From a high of 88 percent in 1890, Standard Oil's market share had fallen to 64 percent by 1911, the year in which the US Supreme Court reaffirmed the lower court finding that Standard Oil was guilty of monopolizing the petroleum products industry.[32]
The court argued, in essence, that Standard Oil was a "large" company with many divisions, and if those divisions were in reality separate companies, there would be more competition. The court made no mention at all of the industry's economic performance; of supposed predatory pricing; of whether industry output had been restrained, as monopoly theory holds; or of any other economic factors relevant to determining harm to consumers. The mere fact that Standard Oil had organized some thirty separate divisions under one consolidated management structure (a trust) was sufficient reason to label it a monopoly and force the company to break up into a number of smaller units.
To economists, "predatory pricing" is theoretical nonsense and has no empirical validity, either.
In other words, the organizational structure that was responsible for the company's great efficiencies and decades-long price cutting and product improving was seriously damaged. Standard Oil became much less efficient as a result, to the benefit of its less efficient rivals and to the detriment of consumers.
From: http://mises.org/daily/2317
(Beware, that site is very ideologically charged)…
points within the bounds of the site boundary and use each location as an attractor point controlling a variable at each point in the grid (radius of a circle/height of a cube/colour based on a gradient etc.).This would be based on proximity to the attractor points with the effect of each attractor point essentially scaled by the percentage associated with it. For example a location with 88% visitor rates would have a more dramatic effect than a location with 26% visitor rates.
I've had a bit of a play around but can't seem to get beyond the point of what is shown in basic point attractor tutorials online. I'm definitely a novice.
Here's how I figured it would be done:
1) Create a grid of source points within a boundary curve.
2) Select 18 pre-defined attractor points.
2) Measure the distance between the source points and the attractor points.
3) Invert this data so that variables increase with proximity rather than decrease.
4) Give each of the attractor points a strength value from 1-100% based on the visitor rates.
5) Use the scaled data to control a variable at each of the source points.
6) Create some way to control the drop-off rate of the effect from each point.
It is at step 3 that I get completely lost.
I hope my description is clear. Any help would be greatly appreciated,
Adam
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of Space, 1984) and specified in (Turner A. , “Depthmap: A Program to Perform Visibility Graph Analysis, 2007), intuitively describe the difficulty of getting to other spaces from a certain space. In other words, the higher the entropy value, the more difficult it is to reach other spaces from that space and vice-versa. We compute the spatial entropy of the node as using the point depth set:
(11)
“The term is the maximum depth from vertex and is the frequency of point depth *d* from the vertex” (ibid). Technically, we compute it using the function below, which itself uses some outputs and by-products from previous calculations:
Algorithm 4: Entropy Computation
Given the graph (adjacency lists), Depths as List of List of integer, DepthMap as Dictionary of integer
Initialize Entropies as List(double)
For node as integer in range [0, |V|)
integer How_Many_of_D=0
double S_node=0
For depth as integer in range [1, Depths[node].Max()]
How_Many_of_D=DepthMap.Branch[(node,depth)].Count
double frequency= How_Many_of_D/|V|
S_node = S_node - frequency * Math.Log(frequency, 2)
Next
Entropies [node] = S_node
Next
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offers new design methods helping participants both in concept and practice. Active discussions on the contemporary issues of architecture and design will be held in order to provide participants with an opportunity to share their views and create their own project.The workshop is going to be used as a platform utilising multi-layered techniques and production processes which can control intelligent geometries, calibration of parts and behavioral taxonomies, normalizing an innovative field of predictability. Exploring material intelligence, formal logic efficiencies and precision assemblies.DETAILS///In the DYNAMIC MUTATIONS workshop we will emerge into Maya’s polygon modeling, pattern makingand animationtools, adaptive skin and kinetic structures, covering all the required basis and getting a taste of its more advanced features. We are going to simulate material properties and dynamic forces with Maya physics engine. Moreover, the design logic and generative processes, as well as the potential of parametric thinking as a resourceful tool for achieving diversity and complexity in generation and fabrication. Kinesis and morphosis will be the two keys of the workshop. The participants’ end result must present both characteristics of these aspects.The goal is creating a project that each participant can proudly include in his portfolio using the state of the art programs and techniques.For attending the workshop there is no previous software experience required.WHAT YOU WILL LEARN///- Introduction in Mayapolygons and NURBS modeling- Simulation of material properties and dynamic forces with Maya physics engine- Animation tools and Maya skeleton system to control complex morphologies - Visualization and rendering techniques - Maya MEL script for creating customized tools and interface- Introduction in Rhino 3D- Parametric surface articulation with Grasshopper - Strategies for 3D printing - Lecture on project presentationTUTORS///PavlinaVardoulaki / Greece & Bulgaria / AA School of Architecture, LondonJiteshJidhav / India / AA School of Architecture,LondonAPPLICATION///http://designmorphine.com/…